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What I liked best about To Hell and Back was the camaraderie and spirit and the relationships between Murphy and the men of his outfit.
To Hell and Back is his story, but it's also the story of the men who served with him, those who came back from hell and those who remained. Good thing Audie Murphy became a Hollywood star because he got to both write his own story and have Universal Studios produce the film as to his specifications. World War II's equivalent from East Texas only waited ten years and had the singular honor of starring in the film of his own life. York of Tennessee, had to wait until the outbreak of the second World War for his biographical film to be made. Thank you Audie.ĭuring the first World War the American hero out of that conflict, Alvin C. Everyone should take note of what true character, integrity and loyalty Audie gave us. Audie Murphy is a true hero of the twentieth century. I always wondered what became of his siblings and sister. I was lucky enough to meet him at Suffolk Downs Race Track in 1959 or 1960. His war experiences tormented him the rest of his life with constant insomnia, depression and anxiety. The historical and personal accuracy of these movies is tremendous. Tom Moore was only an on scene adviser he also relived some of the scenes(his own admission) that were depicted in ".Soldiers." Black Hawk Down depicted actual footage of the battle.
#Men of war 2 gem editor disapeared movie
To have Audie Murphy himself have to remember and "relive" his war experiences, having been removed from them for only ten years, is unprecedented.The movie is the forerunner of such movies as We Were Soldiers Once.and Black Hawk Down. To Hell And Back rates as one of the truly classic and unique movies of our time. His last film role was earlier that year, playing Jesse James in 'A Time for Dying.' Murphy died tragically on May 28, 1971, when the private plane in which he was a passenger crashed into a mountain near Roanoke, Virginia. He never really seemed to care about the medals or glory, just the men of his unit and friends who fall down in the European Theater of Operations. Murphy becomes one of the best fighting combat soldiers of the last century. All of the events recounted in the film take place before Murphy was 19 years old. He was an equal opportunity soldier, doing everything the front line combatant is required to do in order to take and hold ground through Sicily, Italy, France, and into Germany. One might assume that Murphy's indomitable courage would be described as Rambolike heroics, but in comparing the film with the official combat reports, it is clear that Murphy became an astounding soldier by skill, training, intelligence, and luck.
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Director Jesse Hibbs makes the cold mud and rain of the Italian campaign believably real, especially a series of scenes revolving around a farmhouse and a burning tank. As long as the focus stays on the platoon's activities on the battlefield, the film is in fine shape. The one long scene that moves away from the Militaryan interlude in an Italian town where he meets Maria (Susan Kohner) and her family, is embarrassingly bad. Murphy liked to work alone, putting only himself at risk. He sees himself as part of a unit, and everything that he does is meant to advance the unit, not the individual. At the same time, he becomes friends with Brandon (Charles Drake), Johnson (Marshall Thompson), and Kerrigan (Jack Kelly). In every engagement, Murphy steps up and excels as a soldier. After North Africa, his outfit takes part in the invasions of Sicily, Anzio and Southern France. It soon becomes apparent that the likable 'baby face kid,' hardly old enough to shave, has a genuine aptitude for soldiering. In the Army, Murphy is promoted to Corporal on the troop ship carrying him overseas where he joins the 3rd Infantry Division, B Company, 15th Regiment. By enlisting in, Murphy can provide more money for his brothers, but neither the Navy nor the Marines were interested in the small guy.
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He drops out of grade school and goes to work full time to provide for his younger siblings until, at roughly the same time, World War II starts and his mother dies. In 1937, a young Audie Murphy (played by Gordon Gebert as a boy, by Murphy himself later) is forced to become the head of a family with an ailing mother and an absent father. The Army provides a Depression-era kid from East Texas with a strong family structure that he has never really experienced. Audie Murphy's screen autobiography is a much better film than it has any right to be.
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